Tuesday 10 April 2018

Spring woodland flower recce.

A weather forecast of light wind and leaden skies favoured a recce for signs of spring flowers in two local woodlands: one a scowles woodland ~200m a.s.l and the other a Lower Wye Valley woodland ~100m a.s.l. The scowles woodland has gentle slopes underlain by Carboniferous limestone and shales with calcareous soils whilst the Wye valley wood is on a steep slope underlain by Devonian sandstone, mudstone and quartz conglomerate with a range of soil pH from acidic to mildly calcareous.

Ransoms carpet
The scowles woodland flowering was disappointing with only the odd primrose (Primula vulgaris) and carpets of dog's mercury (Mecurialis perennis) in full bloom, sadly dog's mercury is the most unphotogenic of spring wildflowers. Although carpets of ramson (Allium ursinum) leaves hinted at some potential for a future visit later in spring.


An oddity was the scarlet elf cup (Sarcoscypha cocinea) fungus which normally appears in February was still evident in the 1st week of April.



 The Wye Valley wood provided more floral interest with lesser celandine (Ficaria verna), primroses, dog's mercury (Mecurialis perennis), early dog violets (Viola reichenbachianas) and wood anemones (Anemone nemorosa) in flower. Wood sorrel (Oxalis acetosella), bluebells (Hyacinthoides non-scripta), lords and ladies (Arum maculatum) and ransoms were not in flower.


The wood anemones provided the necessary photographic inspiration. and a welcome break in the cloud allowed sunshine to briefly illuminate the woodland and an image made with some warmth to finish the trip.


Both woodlands had west facing aspects, the difference in flowering between the two woods is possibly due to the ~100m height difference with marginally colder temperatures on the more exposed and elevated scowles woodland and/or the prevalence of drier and warmer soils in the Wye Valley wood on steeper slopes.

Saturday 7 April 2018

"The cheaper the crook, the gaudier the patter."

The unregulated photography competition industry has a depressing track record of controversies and scandals ranging from: a very casual approach to due diligence of rule compliance, incompetent judging, shameless profit gouging by competition organisers, personal agendas, undermining photographers image rights and rewarding photographers whose images are of dubious photographic merit. Nevertheless, there is a seemingly insatiable appetite by an international market of would be punters - that comprises amongst others a surprising number of less confident, obsessive, naive and gullible photographers - eager to part with money in the hope of filthy lucre, fame and adulation. These vulnerable photographers are ripe for cynical exploitation by allegedly prestigious and less-prestigious photography competitions.

Petapixel.com have been reporting on one contemporary scandal:

https://petapixel.com/2018/03/23/martin-stavars-the-one-man-in-a-web-of-online-photo-contests/
"Of course, operating a photo contest for the purpose of profit isn’t out of the ordinary these days, but there are a few aspects of this strange network of photo contests that likely won’t sit well with photographers.
First, at least two of the contests (IPOTY and Monochrome) are no longer being judged by actual jury members, which is how this whole thing turned into a scandal. If the contests had continued asking its judges to judge, perhaps the world of photography wouldn’t have looked at these contests more closely.
Second, it seems that Stavars may be judging his own photo contests, which would be a major conflict of interest.
Finally, prestigious photo contests are always operated with transparency in their operations, clearly disclosing the company or organization behind them. These five contests have been operated under a shroud of secrecy.
In summary, the five known photo contests that appear to be operated by Stavars are: International Photographer of the Year, Monochrome Awards, Fine Art Photography Awards, ND Awards, and Monovisions Photography Awards."
There's very little to add to this sorry affair except that it would take a heart of stone not to laugh at the irony of fine art and black and white digital artists who have been manipulated and exploited.

Tuesday 3 April 2018

Long Term Project - Oak woodland deadwood

Deadwood terminology 
I live in an area of Britain that has a relatively high coverage of woodland and the Forest of Dean is renowned for its historic production of oak timber. I was curious to know what happens to oak deadwood, something happens otherwise the woods would be choked with deadwood. So back in 2006 I compiled a list of 5 desirable oak deadwood subjects each one underpinned by a compelling narrative. In hindsight it looks very much like a wish list compiled by someone completely ignorant of reality. Which is why this post is more of an update than anything approaching a coherent body of work.

A wind blown oak readjusting growth to its horizontal position
No 1 of the Oak Woodland Deadwood list was a photogenic native mature tree snapped by a storm that would provide a pollarded trunk to regenerate from and a wind thrown crown to decay.  Mature oak trees, at least in the woodlands I visit, appear to require winds associated with a major significant storm event to snap a mature tree. That major significant storm event has yet to happen, so what actually happens is that the trees are blown over and more often than not, enough root system remains in the ground to keep the tree alive.
A storm damaged native tree ~ Ballochbuie Forest, May 2014
A mere 8 years after writing that I finally chanced upon a group of storm snapped mature native trees: Scot's pines in Ballochbuie forest in Scotland after a particularly stormy winter 2013/2014. One damaged tree trunk had a single remaining trunk branch that may be enough to sustain the the tree, in which case it might grow into a pollard or it may die, a future visit will confirm its fate

Harvested oak, Forest of Dean ~ March 2007
No 2 on the wishlist were the stumps and brashwood left from a harvesting operation. Fortune played its part as in March 2007 oak timber was harvested from one area of the Forest of Dean and the branches left for biodiversity, a decade on the twigs and smaller diameter branches have decayed, the larger diameter branches are still 'firm' to touch. Browsing herbivores eventually killed off any regrowth from the tree stumps and aside from colonisation by bryophytes there's no dramatic evidence of decomposition of the oak stumps. I subsequently learnt that oak stumps take up to a century to rot down and wild boar will expend no little energy in uprooting a sizeable oak stump in the quest for an as yet unknown desirable foodstuff, that I am guessing might be truffles. Making a photographing record of an oak tree stump decomposing has been abandoned.

Oak branches from March 2007 harvesting operation showing Class 2 and 3 decomposition stages ~ October 2016
Hopes of photographing a branch in situ in open access woodland have been dashed by the fallen wood being moved to build shelters, bike jumps, disappeared (perhaps sawn up for firewood?) or moved by some unknown agency for some unknown purpose (wild boar rooting around?).  So instead there has been a record made of fungi that have appeared on the 2007 harvesting debris.

Pluteaceae fungi on March 2007 felled oak branch~ December 2016

No 3 A snag or standing dead tree with a narrative. That narrative has proved elusive mostly due to my ignorance of pathogens or able to confidently assign a cause of death.  Nonetheless the 2006 heatwave might be a contributory factor for the oak mortality on the heavy clay soils. I have also discovered that a dead tree anywhere near power lines, telephone lines, public road, forestry track, cycle track, footpath path or in any location with a conceivable chance of falling on someone would be cut down for health and safety reasons. The snag really needs to be in a remote location or a nature reserve.

Stage 4 decay - loose bark on an oak snag.  
I can say with some confidence that an oak snag can stand for a surprising number of years before falling.

Decay Class 5 oak snag October 2007 it finally fell winter 2013/14

No 4 was for a naturally shed branch. Having learnt the lessons of well managed open access woodland, suitable subjects were searched for in less visited woodlands and nature reserves. Tŷ Canol National Nature Reserve provided the desired subject matter.  I have no idea when the branch fell, but when I first photographed it was class 3 decomposition and in 7 years it doesn't appear to have changed much.

April 2010 
October 2011
March 2015
May 2017
No 5 on the wish list was a dead branch still attached to a living tree. If an oak branch takes a long time to decompose on the ground then a dead branch takes a much longer time to decay away from the ground. One section of branch that died in 2010 there was still some bark attached in Nov 2014. The dead branch was still attached in autumn 2017.

Dead branch ~ November 2014 




At the time it seemed like a good idea, photograph some fallen oak trees, tree stumps and branches then return every so often to record the stages of decay as they unfolded. It's been an interesting journey so far and the oak deadwood project is probably 2/3 way through after 12 years. The management regime of woodland is soon determined by the presence of standing and lying deadwood.

Deadwood in oak woodland ~ December 2013

The importance of deadwood as a habitat resource continues to surprise:

Brussels, 5 March 2018 (IUCN) – Almost a fifth (18%) of European saproxylic beetles assessed so far are at risk of extinction due to ongoing decline in large veteran trees across Europe, a new IUCN report has found.
Due to their dependence on dead or decaying wood, the loss of trees across Europe is the main driver of decline in saproxylic beetle populations. Loss of ancient and veteran trees, tree age structure gaps, degraded landscapes that are unfriendly to tree growth, and indiscriminate felling for spurious health and safety reasons all contribute to the loss and degradation of suitable saproxylic beetle habitat. 
Saproxylic beetles depend on dead and decaying wood for at least part of their lifecycle, and are involved in decomposition processes and the recycling of nutrients in natural ecosystems. They also provide an important food source for birds and mammals, and some species are even involved in pollination.